The Atlantic has a great piece on Bob “Fish” Fishman, the director of CBS’s football coverage. Fishman is a one-man on-the-fly editing machine: He’s the one who splices together the view of the game, from dozens of cameras and video feeds, as the game is happening.
Fishman is one of a cohort of artists and craftsmen who are invisible, working beneath the surface of reality to craft it as it happens. Sports coverage is a particularly apt metaphor for the creation of reality because these men and women create live work: If it’s in real-time, it must be real, right?
But the work can be live even if the creation of said work happened once, long ago. Disneyland comes to mind as a deliberate creation—sights, sounds, smells, actions—that can only be experienced live, a creation that lives through the scripts and protocols written once and set in motion, by Walter Elias, the absent-watchmaker.
Or without a single creator: There are absent-watchmakers aplenty behind our architecture and social rules, behind our objects and expectations.